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Midi Onodera (born in Toronto, Ontario) is a Japanese-Canadian filmmaker. Her work is short and feature-length films and videos, and is exhibited internationally.〔http://www.midionodera.com/〕 Onodera's works feature a collage of formats, from 16mm to Hi8 video and digital video to 'low end' digital toy formats, and address individual, collective, national and transnational identities.〔 == Filmography == * Untitled (1979) * Contemplation (1979) * Reality-Illusion (1979) * A Film (1980) * Filter Queen (1980) * The Bird That Chirped On Bathurst (1981) * Home Movies (1981) * Food Trilogy (1981) * * What's For Lunch Charley? * * One Burger, Hold the Pickle * * Aprés Diner * Endocrine (1982) * One If By Land, Two If By Sea (1982) * Idiot's Delight (1983) * Home Was Never Like This (1983) * Ville Quelle Ville (1984) * Ten Cents A Dance (1985) * Made In Japan (1985) * After Car Crash, Woman Kills Two (1985) * The Dead Zone (1985) * The Displaced View (1988) * Then/Now (1988) * General Idea - Artist's Profile (1989) * David Cronenberg - Artist's Profile (1990) * Heartbreak Hoteru (1990) * A Performance by Jack Smith (1992) * Skin Deep (1995) * the basement girl (2000) * Slightseer (2001) * Nobody Knows (2002) * (Alphagirls ) (2002) * I have no memory of my direction (2005) * 365 SHORT VIDEOS (2006) * (First Bloom ), shortlisted at Filminute 2007 (2007) * (A Movie a Week / 2009 ) 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Midi Onodera」の詳細全文を読む スポンサード リンク
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